Great Auroral Storm

In New York City, San Francisco, Boston, and Chicago, thousands of sky gazers wandered about the midnight streets, astounded at what they could see. "Crowds of people gathered at the street corners, admiring and commenting upon the singular spectacle," observed the New Orleans Daily Picayune. When the September 1 aurora "was at its greatest brilliancy, the northern heavens were perfectly illuminated," wrote a reporter for The New York Times. He continued:

At that time almost the whole southern heavens were in a livid red flame, brightest still in the southeast and southwest. Streamers of yellow and orange shot up and met and crossed each other, like the bayonets upon a stack of guns, in the open space between the constellations Aries, Taurus and the Head of Medusa—about 15 degrees south of the zenith. In this manner—alternating great pillars, rolling cumuli shooting streamers, curdled and wisped and fleecy waves—rapidly changing its hue from red to orange, orange to yellow, and yellow to white, and back in the same order to brilliant red, the magnificent auroral glory continued its grand and inexplicable movements until the light of morning overpowered to radiance and it was lost in the beams of the rising sun.

Frederic Edwin Church's 1865 painting "Aurora Borealis." Some speculate that Church took his inspiration from the Great Auroral Storm of 1859.- Wikipedia

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